2021 Wins

15 Jan 2022 10:11 am
jennickels: (rvb: i like me)
Snowflake Challenge promotional banner featuring a snow-covered green bench in a snowy park. Text: Snowflake Challenge January 1-31.

Challenge #8 at [community profile] snowflake_challenge is to look back at the last year for things you consider wins. This is going to be a hard one to answer because the last few years have been such disappointments. And I don't just mean being isolated and worried about Covid.

In 2018, I noticed a distinct loss of energy and ability to focus, and by 2020, I was diagnosed with Chronic Fatigue. It affects every aspect of my life. Last year (2021) was my year of acceptance. I had to learn, after 2 1/2 years, that I can't do the things I used to. And I had to accept that I may never be able to do those things again. It's been a hard time learning to cope and do things differently.

One of the hardest pills to swallow is that my writing may never return. The Chronic Fatigue gives me serious brain fog, making it nearly impossible to do complex cognitive things. Like writing. Heck, sometimes understanding what's happening on a TV show is too much for me. Reading is a chore now. Writing is nearly non-existent. 

No matter how much I get the urge to write, when I sit down, my brain is so fogged over, the words no longer come. I can't force it. There's just nothing. But I did learn I can usually (sometimes?) brainstorm. Just ramble and word-vomit ideas that often make little sense. They could possibly be turned into stories some day, but I won't count on it. I had to learn to just enjoy the brainstorming process with no expectations of ever writing those stories. That's about as close to writing as I can get. 


Although, I do consider that a win for myself personally (learning to accept brainstorming as my limit), I actually wanted to talk about NaNoWriMo because despite everything, I managed to WIN NaNo last year. And it was hard. I had to remind myself everyday that no one was ever going to read the story I was writing. I had to relearn how to write (pretty much each day). There was a lot of forcing of words I hated. God, how I hated writing most of the days. It wasn't fun because it was so hard to make sense of my jumbled, fogged-over thoughts. But I did it.

It was my first win since 2018, I think.

Sadly, forcing myself to do that much writing (although occasionally I enjoyed it), turned me off to writing even more. I haven't even wanted to look at that project since NaNo ended.

Despite that, I'm still really proud of winning.

jennickels: (Default)
Snowflake Challenge promotional banner with image of skier kicking up snow on a snow white background. Text: Snowflake Challenge January 1-31.

So, the third day of the [community profile] snowflake_challenge is to write about AUs.

I will admit that for a good portion of my fandom years, I didn't like AUs--I mean the kind that completely changes the setting of the canon. I just didn't see the point in them. All those high school AUs or coffeeshop AUs. At the time, I read/wrote mostly in sci-fi fandoms and couldn't fathom why I would want to take the characters out of their canon setting which was part of what made them interesting in the first place.

Things changed, though, when I got into The 100 fandom back in 2015 or so. Out of curiosity, I read a couple modern AUs because the summaries sounded interesting. And wouldn't you know it--I got kind of hooked. They became a guilty pleasure, and I gobbled up all the modern AUs I could find for a while. I think that came with wanting the characters to just have some quiet time together which is nearly impossible within their canon setting where their lives were constantly in danger.

A funny thing... I'm actually working on a The 100 modern AU right now. I wrote most of the story in 2016 and did major edits in 2017, but then got sidetracked with other stories. One of my goals this year is to add to or edit some WIPs I have going so I dragged this one out of a drawer (a literal drawer because I was editing on paper at the time) and decided to type up all of the chances I made years ago.

The story takes the characters and puts them in a modern setting where they are camping out which I thought was kind of funny because they basically live camping out in canon, but in the modern world there is no one around to try and kill them. The characters are also aged up to college age so they all have stuff in common.

It's not the greatest story, but I remember it was the first modern AU I wrote and had a lot of fun with it. I wrote a few others after that, but I can't really remember them off hand. I'm much better at canon-divergent AUs than modern takes or completely different settings.

There is one sort of alternate setting/fusion AU that I always imagine ideas for but never seriously intend to write, and that's dinosaurs. The first of these ideas came to me when I was writing a canon-divergent AU for Stargate SG-1 where I plotted things out like episodes and had a two-parter where they go to a planet that has dinosaurs. At the time I had recently seen Jurassic World so that was on my mind, but the story wasn't a fusion since Jurassic World doesn't exist at their time or anything. The dinosaurs were natural inhabitants of the planet for unknown reasons. 

I remember as I plotted out the "episode," I took a lot of inspiration from the Jurassic Park/World movies which was a lot of fun.

Since then, I've come up with other dinosaur AUs because I guess I just really want my characters to run into dinosaurs. There was an idea for a The 100 fic set late in the series when they arrive at a new planet. In my AU, the planet is, of course, already inhabited by dinos. Another was for Avatar the Last Airbender where Katara and Zuko get trapped in a little valley that happens to be full of hybrid dinosaur-like creatures and they have to work together to escape. This was set between books 1 and 2 so they're still enemies so lots of potential for drama and angst.

Most recently, I came up with a literal fusion between Jurassic Park and Ouran High School Host Club where the Twins suggest the Host Club go on vacation to Costa Rica because they heard about this haunted, run-down amusement park on an island off the coast. I never got farther than that, but I laughed that I had somehow get dinos into a fandom about Japanese high school students.

I guess it's become sort of tradition now that I come up with a dinosaur AU for whatever fandom I'm into.

Not that I ever intend to write these stories. Because of my chronic fatigue and brain fog, the most I can really do is come up with ideas. I do have a lot of fun just imagining the stories. I wish I could share them with people, but it's just not in the cards anymore. I've forgotten how to write, but I can at least, entertain myself.

jennickels: (Default)
I have a new project in mind for the year: a story told in sentences.

But aren't all stories told in sentences? Well, yes, but this time, I'm only writing a few sentences at a time and posting them each day (or week--depends).

After reviewing my wordcounts the last couple months and considering my energy levels, I decided that having a minimum wordcount for each day isn't currently working for me. It's not motivating which means I'm not completing it even when it's only 100 words.

Since that wasn't working, I wondered if maybe I could change the format--instead of writing 100 words, I'll write just one sentence. Obviously, writing only one new sentence a day won't get me far, but what if I write two sentences on the second day and three sentences on the third day. I think you see where this is going.

So my goal for January is to write sentences each day--one more than the last day. I haven't decided if I want to keep them all in one story or spread them around. And I haven't decided what I'll do at the end of the month. Will I restart with one sentence on February 1 or will I do 32 sentences? I guess it'll depend on how I'm doing at the end of the month.

It seems like a silly distinction--words vs sentences. Several sentences are going to be well over 100 words, but I'm hoping just the change in format will help me stay focused. It gives me a different kind of endgame.

Here's hoping.

Happy New Year.

my fanfic

1 Mar 2017 05:25 pm
jennickels: (sg1: jack/sam_2010)
Apparently someone recced my Stargate fanfic somewhere because my blog has suddenly exploded with hits, and just about every Sam/Jack story has been read--many more than once.

I always find it kind of funny that my blog is where I my fanfic is read the most despite being posted on LJ (where the Stargate community was for so long) and AO3. Why my blog?

reviews

6 Jul 2016 07:15 pm
jennickels: (sg1: jack_spacemimes)
I received THREE reviews on the last story I posted to AO3. That's nearly a record for me. Just one more review, and it'll be tied for most reviews, lol. It also has a record number of bookmarks (7) and is tied for most kudos (40). Of course all of those other stories have been up for years. I'm so used to getting no reviews, I was a little shocked to find something in my inbox.

I'll never understand how people get hundreds of reviews on their stories.
jennickels: (a: probably writing)
I've been using this site (4thewords.com) to motivate me to write. It's kind of like a roll playing themed writing site where you "battle" monsters for items (meaning you have to write a certain number of words in a certain amount of time) to complete quests. It's fun.

Well, they just rolled out an entire new design over the weekend. I feel for them because it is hilariously full of bugs. Everything is glitchy, but the worst offender is the way the "game" tracks word counts to award points.

We can now equip items. Weapons add attack points which make it easier to defeat monsters. It was explained that +1 attack equals a 1% increase in words (1 word per 100). I have a +3. But there seemed to be no rhyme or reason to defeating monsters. Sometimes I could do it in 2 words, sometimes it would take 400 words to beat a monster with 1400 "health". I spent all last night experimenting with the system to see where the problem was.

Tonight I solved it. Somehow, every time you save the document, it counts all of the words in the file since it was opened (called "words since last edit"). Even if you add no words, it counts that number as if you just wrote that many words. That's a major flaw.

I save all the time because I'm paranoid about losing words. Plus I wasn't refreshing my document between battles, so I'd start new battles with sometimes 400+ words since last edit. Meaning I won the battle after the first save even if I only wrote a couple words (for monsters with lower health.)

As an example:
I was battling a monster with 1400 health.
My file already had 95 words. I saved it without adding anything and my points jumped to 97.85 (95 plus the bonus for my weapons).
I saved the file eight more times, sometimes adding a few words, sometimes no words. In the end, I added a total of 26 words to the document. That's what it took to beat the monster. And even that got glitchy in the middle, adding more than just the words since last edit.

I left them another bug report, so hopefully they can narrow down where the problem is in the coding. I already left them a detailed report from last night on how it seemed beating monsters was random. Now I know why.

I think the sites going to be a lot of fun once it gets up and running. It's still in beta and free at the moment, but some day they plan to go to a pay system. With the number of bugs, I doubt that will be for a while. I really think they tried to implement too much at once. Before the update, the graphics were much simpler--cartoony but cute. The backgrounds were plain but the layout was well organized. Now the background is a colorful forest, the monsters and other characters are detailed and bright. Then underneath are all the ways things relate to each other--the quests, points, items, etc. Too much going on.

They should have gotten the quest system up and running with the old, simple graphics. Once all the bugs were gone, they could have updated the graphics and look of the site. But they seem kind of young--I'm sure they're learning a lot.

I really want to finish some of the little quests they have, but I feel like I'm exploiting the battle aspect of the game which is ranked on a leaderboard (I'm currently #1 with 52 wins since Monday--10 more than the person in 2nd and 30 more than the person in 4th) because I keep screwing around with it and because I save constantly so I beat monsters in minutes with few words written.

Honestly, it's just distracting me. Now that I know what the problem is, I think I can ignore that function and just write until they fix it.
jennickels: (sg1: jack_fashion)
Darn. I wrote myself into a corner of sorts in my story. I'm completely pantsing it, but had ideas in my head of where I was going. I was about two or three steps ahead most of the way, but then the protagonist decided to take some detours. Now he, and the plot, are stuck.

I don't plan to go back and rewrite, so I have to figure a way to move this plot along. But it also doesn't have to be perfectly plausible because this is just for me. It's frustrating and slowing me down, though.

My protagonist is supposed to save the boy-king from an assassination attempt, stop a war between his people and the natives, and keep his love from being executed by the corrupt leader he helped bring to power, except he's stuck aruging with a native leader who wants him dead about whether or not the boy-king is in any danger. I'm not sure how they're going to get from standing in a circle, postering, to protagonist taking an arrow for the boy-king, thus proving his loyalty and vindicating himself, and somehow have a one-on-one confrontation with his leader who is a giant prick and the cause of the war before the natives get restless and kill everyone in sight.
(that was a really big run-on sentences)

EDIT: I think I figured it out. Of course, I was going to the bathroom at the time, so I'll probably forget my idea when it actually comes time to write it, lol.
jennickels: (sg1: jack_smirk)
I wrote 14,200 words yesterday.

I haven't been able to watch Netflix because I'm uploading my entire laptop to a backup site (Patrick's suggestion). I've been going crazy, wanting to rewatch The 100 for more fanfic inspiration. And I've been bored out of my mind. So yesterday, I gave myself permission to write for myself for pure entertainment. I imagined the last scene of the most recent episode and just ran with it. Twelve hours and 14k words later I'm about halfway through the story and still looking forward to writing more today.

I've always written fanfic with the intention of publishing it online eventually. This is completely different. Writing just for me has been freeing. I'm not worrying if my plot is too cliche or if I'm repeating the same word over and over (which I was and that's a pet peeve of mine, but screw it--this is just for fun). Maybe when I'm done, I'll get around to editing it and posting it if I feel like it. Maybe not. I will definitely have to force myself to write for my own amusement more often.
jennickels: (Default)
Yesterday was our marathon write-in-motion event. I got 11k words done which is 1k less than last year. The first thing our ML did was show me the chart from last year where I blew everyone out of the water with my total. It made me smile. It was a lot harder to get the words out yesterday, though, because my story is dragging plotwise, but I pushed through. If I'd been in a better place in the plot like earlier last week, I probably could have easily hit 13k.

Anyway, the point of this post is to annouce that within those 11k words, I hit 50k. Actually halfway through. I have won NaNo, but can't officially document it until the 20th when they open the validator. I've never finished earlier than the 28th or 29th before.

I plan to get 3k written today. Then again, my brain is kind of fried from yesterday. Maybe I'll do some brainstorming to see why things are bogging down and try to get things back on track so the words come easier. I still want to at least get the usual 1667 written.

Woohoo for me!

How is everyone else doing?
jennickels: (sg1: galaxy)
With NaNo fast approaching, I decided I might actually want to finish all of my backstory stories and do more plotting before November. I stopped off at the library the other day and wrote almsot 3000 words in my notebook because I didn't have my laptop. I had to jump ahead in the story because I couldn't remember where I was, but that's good because what I'm writing now could actually impact the novel. I've managed to write four of the last five days.

The power steering is finally fixed on the truck, so I went to Shari's to get some writing done. Sat there for around three hours and wrote 3000 words. When I got home, I tried to add more, but I was blanking. I was going through notes for other story ideas and randomly picked one to write on. That added another 1100 words to my daily total (and could possibly be the first SG-1 fic I've written in like a year).

Over 4000 words today. Not bad.

Only problem is my arm is really acting up. Keeping it in a typing position causes it to go completely numb every few seconds. I had a bitch of a time shopping today because moving clothes on the racks would make my arm go numb and then I'd lose control of my hand. Driving was okay, though, for some reason--and I always drive with that hand resting on top of the wheel. Weird.
jennickels: (enterprise: ugh)
I haven't actually started reading the third book in the sequence, but I had a story prompt that said to turn to page 51 and start a story with the first sentence of the last paragraph.

This is what I got.


The vertiginous, queasy sensation that had grabbed Trip by the viscera earlier suddenly abated, replaced by a feeling of liberation that bordered on elation.

This is the kind of writing I put up with through two books. I mean, come on! 
jennickels: (fanfic: because i can)
While I've been binge-watching That 70s Show, I started looking for some of the fic I remember reading 10 years ago. That made me think of the fic I wrote myself. I have two rather long stories posted--they were the first two fanfics I ever wrote. I decided to reread them, but before I got done with the first chapter of the first story, I was cringing. There were so many mistakes--spelling, punctuation, grammar, word usage. Ugh. I decided to revise. The farther I got, though, the more I realized there were serious problems with the story itself. Namely, the plot was convuluted and stupid. Ten years ago, I loved stories like that--whatever got the most angst out of the characters. But I've grown up and gotten better at writing.

I'm trying to decide how much of it I want to rewrite because I'm embarrassed to put the story back up with just the grammar/spelling mistakes corrected. The story is so badly written. *shakes head*

That's just the first story. The second one is slightly longer and has just as many problems.
jennickels: (enterprise: trip_facepalm)
I'm reading the book series that rewrites the final episode of the series. I'm on the second book (which apparently explains the history behind the Kobayashi Maru by the title). Anyway, the plot is a little on the ridiculous side, but entertaining enough to keep reading, if only to see how much stupider it can get.

The writing though... so many facepalms. I guess I can thank the writer/editor in me for noticing all the ploblems with the "style" of writing.

The first thing I want to say is that they need to take away these guys' thesaurus. I mean seriously. Some of the sentences (which are always overly long) are hilarious. They go out of their way to use every synonym in the book. An example I just read that made me laugh out loud:



The slow trickle of passerby inexorably slowed further, dying off entirely as the yellow Romulan sun finally completed its long horizonward arc, its present low angle giving it the hue of human blood. Trip paused to take in the spectacle of the bloated, ruddy orb as it settled behind the phalanx of centuries-old structures that comprised the squat Old City skyline. Caught between the waning rays and lengthening shadows, the venerable illuminated spires of the kilometers-distant Hall of State rose belligerently, war pikes poised over the Romulan capital, the anthracite-black waters of the Apnex Sea at their backs. (that was all three sentences--also "ruddy orb")




It goes on and on like that, to the point of reducing me to giggles even during the most dramatic parts. They use "inexorably" and "venerable" so often it takes their punch away. The writing style is just... my fiction instructors would have smacked me upside the head for writing like that. It's like they go out of their way to not use the most common, simplest word possible. Variety is great, but when you start picking out synonyms that are rarely used outside of academia, you start to sound like an idiot. At least their consistent throughout the books--every chapter is like that no matter which POV they are from. *shakes head*

They seem to get the dialogue okay for each character. At least when I read it I can hear the actor's voice and imagine that the character would actually say something like that. That's good. But there are times where they seem to get the characters completely wrong. Their interpretation of T'Pol is driving me nuts. Yes, she's a Vulcan, but it was established on the show that she has difficulty keeping her emotions in check, especially when it comes to Trip and Archer. She's not as standoffish as most Vulcans especially with her crewmates, yet they're writing her like a frigid ice queen that barely blinks when she thinks Trip is killed. The writing style doesn't help.

Oh, on the topic of the first book. It came out about two years after the show ended, so of course they need to add a little info to refresh memories or so that the plot makes sense. But the way it was done was more a headdesk moment for me. There were literal paragraphs of very long, complex sentences that recapped whole episodes in the driest possible language. And sometimes they were thrown into the story at the dumbest points, breaking up the flow.

And if they use the word "sanguine" one more time I'm going to shoot myself.

The writing style just doesn't lend well to a sci-fi adventure novel--it slows the pace way down and puts large chunks of text between the dialogue of a conversation that should take place in a matter of minutes (instead stretching it over two pages). If I had been editing this, my head probably would have exploded 1/3 of the way into book one. I'd also be out of red ink. Way too many adjectives and adverbs.

The one thing I can say is that they don't head-hop. Each scene has a POV character (which switches depending on the plot), but they keep it close 3rd--only what the character knows is revealed, and they stick with it throughout the scene.

Of course, I wouldn't have kept it so formal if I'd written it. I'm good with jumping through multiple POV characters as long as they are kept separate, but I prefer each one to have its own voice.

Still, I'm curious to see where this is going. I'll probably come back to report on some of the more ridiculous sentences I find. Which might turn out to be fairly often.

EDIT: Another fun sentence from the chapter three in Kobayashi Maru where they sum up T'Pol's backstory from the show and the last book:

Thanks to Trip's protracted absence, her memories of their brief time together had become as irrepressible as they were bittersweet. And the fact that the last year had brought her more than enough reason to grieve apart from Trip's departure hadn't helped; she had lost her mother, T'Les, during a raid against a Syrrannite sect at Vulcan's Takarath Sanctuary, then had faced the death of Elizabeth. It didn't matter that her infant offspring had been a cloned hybrid created with her and Tucker's DNA by the rogue geneticists of Terra Prime separatist movement; little Elizabeth had nevertheless been their child. And now both T'Les and Elizabeth were interred beneath the broiling sands of Vulcan, on the grounds of the rebuilt sanctuary.


Holy infodump, Batman.

Way to reduce some of the most emotionally traumatizing events of her life into the most boring, emotionless paragraph ever. It continues on describing the history of T'Pol and Trip and how T'Pol "feels" about things. Except you can't really tell how she feels because the writing is so formal and dry. I imagine T'Pol would be a lot less stoic on the inside and more worried about Trip.

These paragraphs pop up everywhere, sometimes for no real reason, because the events being recapped happened just fifty pages earlier in the same book. Really, guys, we didn't forget what chapter two said when we're on chapter twelve.
jennickels: (a: oregon)
Most writing advice includes "people-watching." It's a good way to learn speech patterns and body movement and other things humans do. I've never really been able to do it. I feel weird staring at people in public, and I can't actually pull a few voices out of a crowd to understand their speech--it all blurs into a noise for me.

But I noticed the other day that I pay close attention to what characters in TV shows do. I mentioned I rewatched certain scenes in that Enterprise episode. It wasn't just because the scenes were funny or enlightening it; it was because each time I focused on a different thing--voice inflections, dialogue, body language, facial expressions, the way the scene was blocked, etc. I've actually memorized the dialogue from the video I posted along with most of Trip's expressions. I've watched it that many times.

I've done it a lot with Enterprise to the point that I really noticed what I was doing, but looking back, I've done it before while watching many different shows/movies. Certain scenes from last year's Christmas episode of Castle got rewatched a lot. Mostly the Lanie/Esposito ones. Me and Brenna (12) couldn't get enough of them. She was watching for the comedy; I was studying the way they spoke the words and the looks on their faces.

All of this really helps when I'm writing fanfic because I can hear the character's voices in my head reciting the dialogue I write. I can see the way they should be walking and the expressions they would be making. In my original fiction, I tend to pick a favorite TV character that I've studied and use a lot of their expressions/movements to build a character of my own.

This is one of the reasons I can't really watch stuff with my family (except maybe Brenna who can rewatch her favorite scenes over and over--especially if there's a hot guy in them). They want to get to the next scene; I want to live in one forever.
jennickels: (sg1: jack_bang)
There's this guy in my fiction writing class that is on my last nerve. Thankfully the class ends on Tuesday. Unfortunately, he'll probalby be in my advanced writing class next term (since there are only two classes for the course each term).

This guy is a complete douche. We're supposed to leave constructive criticism on at least two stories each week. There is a rubric that explains what should be in the critique which includes, obviously, finding something nice to say about the piece, focusing on some areas for improvement, and closing with a review of your points. To me this is just... I don't know... second nature. It's how I write critiques because it makes sense. Obviouslly not everyone is good at this, but this guy--his head is firmly up his ass.

I just read through five critiques he left on hour postcard stories. They had to be less than 250 words. Not one single critique had anything positive to say. None of his reviews have positive things--he just jumps in with all the things he doesn't like, gets all high & mighty, then leaves on a negative note. I want to punch him in his smug face.

Two weeks ago he left a comment on my story saying it wasn't a real story because it didn't have conflict in it. He didn't think my protagonist caught in the middle of a shoot-out was conflict enough. Fine, whatever, that's his opinion. What pissed me off was his condescending attitude that came off as, "why don't you understand this yet?"

I was nice enough to reply to him (because I reply to everyone that comments on one of my posts) thanking him for his opinion and even considered how I could change the story to give the protagonist more of an internal conflict within the confines of the story. Then last week I reviewed his story. The focus was dialogue so he wrote his story completely in dialogue.

Writing completely in dialgue is a good exercise, in my opinion. We did those challenges at writerverse. I have a four part series that is completely in dialogue. But really, they aren't complete stories--there never feels like there is action; it's simply a conversation. They can still be fun to read if written correctly. He didn't do it well, though.

His story was a phone conversation between a guy that worked at a crisis hotline and an old woman that calls because she is upset her husband died. It just goes back and forth, back and forth, like a freaking tennis game, but less interesting. It was boring and predictable (the woman was the one that killed her husband and it had just happened which I figured out 1/2 way through). And did I mention, boring.

So, I got to leave a critique about how his story wasn't really a story. Except I did it nicely, told him what worked well, what he could probably do to improve the story, and then summed it all up at the end. Of course, he never commented back to me. He did to the other person that left a comment--the one that left the "this was really good" comment. After mine. So it's not like he didn't see mine. What a tool.

Anyway, he's an asshole, and it's really showing this week. I'm so glad this term is over.
jennickels: (sg1: jack_stupid)
We had a hard limit of 10 pages for our assignment in fiction writing. It was hard to get my story to fit, but I ended up with 9 1/2 pages--not too bad. One of the women in my group refused to shorten hers, keeping it at twelve pages (I'm sure she'll get marked down because the teacher explicitely said they had to be 10 pages).

That isn't that bad, though. Right now I'm reading a story from another woman. In her intro she mentioned that the story went slightly over the page limit, but once we read it we'll see that it had to be done to have the best ending. Uh-huh, I'm sure. I start reading it and this isn't just slightly over the page limit. Physically, it is only twelve pages. But she didn't double space her lines. In reality this story is twice as long as the limit--I fixed the spacing and it was 21 pages! And is almost 9000 words. My story was like 3500 words. Holy crap.

It wouldn't be so bad if it was well written. But it's not. It's tedious and she has not grasped the art of showing, not telling. So much is just spelled out in infodumps with tons of random spelling, grammar, and punctuation errors. I'm on page 5 and my face hurts from all the facepalming. I can't believe she turned this in as the polished final copy. It's a disaster. It even starts with a prologue. That itself wouldn't be a big deal except that prologue is just exposition about what is happening in the story.




Jessup Jovani is a 5000 year old Vampire, and the cousin of Vlad Dracul. He is also the head of the Jovani clan. Giuliana Rose Damascus is fore told to have great power on her 18th birthday, enough to take down all of the Jovani clan. Jessup’s youngest son has plans for the new born Damascus baby. But in order for this to come about Jessup needs to get Julian to break the arranged marriage of her to the young Damien Cassio Demetri. When Julian refuses to do just that, Jessup is forced to sign the order to murder the entire Damascus clan. He hired two human hit men known for their cruelty, the name of his contact is Ron James. How is it going to happen? Jessup does not know yet. If she is dead, then how can she do it?



I mean, seriously... this is the opening paragraph. I know I'm no expert and my writing needs a lot of improving, but there is no way this is considered good writing or storytelling.

After that opening is an idiotic scene where a guy (the POV character) kidnaps a baby while his partner kills the family. There was this whole thing about how he had to get the carseat and all the baby's things (spelled out in detail). All I kept thinking was if they are hired hitmen then what the fuck do they care if the baby is in a carseat? In the end the guy shoots his partner because he suddenly realizes he's going to kill the baby too. Then it gets more idiotic. He takes the baby and leaves her on the doorstep of some random house. He chooses it because he sees a man returning from work--all exhausted and dragging his feet. Apparently this makes him perfect parent material. Of course, the family is ecstatic about finding the baby who they then raise as their own, because apparently family services doesn't exist in this universe, nor do competent police since no one seems to investigate a missing baby--they just give the kid to the couple that found her abandoned, no questions asked. Da fuq?

So then it skips to thirteen years later to another ridiculous scene where the parents come into talk to the original POV guy who is now a school counselor (presumabely so he can watch over the girl who is a vampire... seriously). The girl is a super genius, allergic to the sun (vampire, remember), and needs a tutor. Of course Mr. Hitman turned counselor knows just the person for the job--a 17yo vampire who happens to be her intended. That itself isn't bad for the plot--makes perfect sense, actually--but the way she introduces him... I just rolled my eyes.

Then it skips 5 years and becomes the POV of the girl (Joanne) who is lamenting how mean her cousin is to her and won't play with her, etc. Except she's about to turn 18. Mr. Vampire tutor shows up and reveals who she is, that she is to marry him, and they must run away now. Riiiight. Of course the time change is marked with, "Flashforward five years..." Oy.

It then changes to the POV of the parents (it's in 3rd person and I can't tell if it's supposed to be close 3rd or... something else) who come home to find Joanne missing and blood everywhere. Okay, some action. Mom faints, Dad calls 911 and demands that the police and FBI come to their house to which the operator says, "sure can do, sir, they're both on their way." Like the FBI works that way. *shakes head* I'm pretty sure they only get involved if kidnapping cases cross state lines or it's someone important.

This all happens in the first five pages. And if the plot wasn't stupid enough, the writing is horrible. The dialogue is flat and inflated. Like she describes everything everyone says in detail, even the stupid things like introductions.

"Hi, I'm so and so."
"Hi, so and so, I'm x and x. It's so nice to meet you."
"Yes, it is nice to meet you x and x. Have you met my wife, Mrs. so and so?"
"No, I haven't met your wife. I'm x and x."
"Hi, x and x, I'm Mrs. so and so, it's nice to meet you, too."
"Yes, it is nice to meet you, too."

All of the conversations go like this. Things that are meaningless are described in detail, while things that are important are glossed over in a few sentences. Like the whole vampire thing. If she would have gotten rid of the entire beginning (maybe make the prologue be a flashback of the murder/kidnapping) and started with 18yo Joanne it would have made more sense. Then her being a vampire could have slowly been revealed. Instead she just point blank says. Joanne is a vampire. Actually Mr. Hitman-kidnapper says it in his thoughts. These are the actual words: "I know that they are a clan of vampires, and so is Rose A.K.A. Joanne Rose Mender." Amazingly the family he dropped Joanne, aka Rose, aka Giuliana, just happen to know her name is Rose and what her birthday was (that comes up) even though they have no idea where she came from. Or do they? When the police arrive and question the dad about the disappearance he goes into this long explanation about how they adopted Joanne when she was a baby and at that same time a family nearby was murdered, including a baby." He does not imply that he thinks Joanne is that baby because everyone thinks the baby died in the fire. Why did he even mention it? It was so bizarre. Then the cop takes over thinking about how he heard about that fire and knew the baby didn't die and that Joanne must be that baby--because no one figured that out before.

The entire scene talking with the cops is idiotic. Scratch that part above. Apparently they know stuff because they kept all of the bloody thing she was found in, including the carseat, in a safe behind the wall in Joanne's room. For real! He shows these things to the cop who just takes notes (he actually already knows what's going on--probably a vampire, too).

I just... I'm not sure I can force myself through seven more pages of this. On the other hand I want to find out what other ridiculous things happen. I'm not sure I can even make comments on this story without exploding with criticism. We're only supposed to comment on what worked and didn't since these are finished, polished stories that should need no more editing. There is just so much wrong with this--I can't believe no one has told her that yet.

jennickels: (a: original fic)

Here's the story I wrote for my Intro to Fiction Writing Workshop. I had a lot of fun with this story and watching it change from the original draft I wrote seven weeks ago. This was the hardest version to write, though. I was up half the night and then worked on it all day to get it done by 9pm when it was due.

Hopefully my characters have the satisfactory number of dimensions so
[livejournal.com profile] campylobactor doesn't think I'm a hack.
I'm just kidding. I love you, campy--you really helped me get my thoughts straight last night. I knew I could count on you to be awake when I needed guidance. I bow to your superior... everything! Sometimes I don't know what I would do without you.



Last Stop on the Way to My Heart
by Jen Connelly

The bus pulls to the curb with a belch of gray exhaust. I cough, waving away the fumes. I hate taking public transportation--the buses are always loud and cramped and smell like sweat, cigarettes, and cheap cologne. This is not how I imagined my senior year. I thought I'd have a car--something cool like a Mustang or a VW Bug. But life rarely turns out like you dreamed. If it did, Haydn would still be alive, and I wouldn't get sick to my stomach every time I get behind the wheel of a car.

Kids pile up on the corner, jostling to be the first in line. I try not to make eye contact with anyone, but I can still feel their gazes on me. I hear the whispers. I know they're judging me. It's been like this for months now. I crush down the hurt, pretend nobody matters. I'm not all that convinced, though.

Somebody tall and blonde shoves me out of the way, squealing like a pig. Guys' heads snap around to catch a look at her ass hanging out of her shorts--they sure don't meet the dress code. Over her shoulder, I spot a guy leaning against the bus shelter staring at his feet like they are the most interesting thing in the world. He glances up, a grin pulling at the corners of his lips. For a second I think he's looking at me, but then reality sets me straight. The girl jumps into his arms, nearly knocking them both to the ground. I hop on the bus while everyone's distracted.

Haydn had a car. It wasn't anything cool, just his mom's hand-me-down Toyota. The gears ground, the doors stuck, and the rear tires kept going flat, but it was a car; and it meant freedom. With freedom comes responsibility. Eleanor Roosevelt said that. Unfortunately teenagers are notoriously irresponsible. I swallow hard, try to push down the guilt threatening to overcome me. I refuse to give them the satisfaction of crying.

"You're Erin, right? Jack Hickey's sister?"
I blink up at a greasy-haired kid as he slides into the seat next to me, a creepy smile on his pimply face. He reaches his arm across the back of the seat exposing massive pit stains; he doesn't smell any better than he looks. Gross. I stare out the scratched window, hoping he'll get bored and go away. I've never been a terribly lucky person.

"It's my birthday today. Cool, huh?"

"Mazel Tov."

He bristles. "I'm fifteen, not thirteen. And I'm not Jewish." He leans closer, his stench causing me to gag. Didn't this kid ever hear of deodorant? "I was just thinking," he continues, fingering the hem of my skirt, "since it's my birthday and all, you could, you know-" He waggles his eyebrows. "A hickey from a Hickey?"

Ugh. I think I might hurl. I slap his hand away and try to ignore the laughs coming from all around us. He leans a little closer, making me press against the cold window to get away. My heart slams against my chest as panic takes hold. Everyone is watching, hoping I'll make a scene--something they can post to YouTube. Anger bubbles up over the fear, but before I can do anything with it someone hauls the kid out of the seat by his collar.

"I think you've made enough of an impression on her, Cameron. Why don't you go sit over there and stop giving her excuses to stab you in the eye with a pencil."

More laughs.

My savior's tall with short brown hair and light brown eyes that sparkle gold in the sun. It's his smile, though, that catches my breath. Dimples peek out from under a day's worth of stubble, marching a path up his cheeks to his eyes. My heart's pounding for an entirely different reason now. He's gorgeous.

I have this theory that guys like him know exactly what they do to girls like me. They like the way we get all gooey and stupid when they're around. And they know how to use it to their advantage. Haydn was like that. Maybe it's an ego thing. Maybe arrogance.

"I don't think he'll bother you anymore," he says, leaning over with his hands braced on the backs of the seats like he owns the place. Like he owns me. Definitely arrogance--he's no better than that Cameron kid.

"I can take care of myself." I practically spit the words. I use the resentment to cover the nervous jitters spreading through my body.

His smile falters for just a second before he recovers, showing slightly crooked teeth. "Of that I have no doubt. I just didn't want you to wind up in prison for manslaughter. Not that I'd blame you; Cameron's a dick."

I snort. Apparently that's the only kind of guy I attract.

"I'm Shawn, by the way." He actually extends a hand to me.

"Erin."

"I know." Of course he does; everyone knows who I am. He watches me with those honey-colored eyes. I'm not sure what he's waiting for--an invitation? Fat chance. My skin crawls in a not unpleasant way under his scrutiny. I need to do something, say something.

"What's your excuse," I blurt out, catching us both off guard. "For riding the loser express? You're a senior, right?"

"For another three weeks and four days."

"Not that you're counting or anything."

"Like you're not?" His laugh is a deep rumble, like distant thunder before the rain. It sets butterflies off in my stomach to perform an Olympic quality gymnastics routine. I smile despite myself. I hate him a little for that. "I bet you're excited to get out of here?"

"Out of the bus?"

He gives me that heart-stopping smile again, melting my insides. Bastard.

"Out of school."

I look away. I forgot he knows my secrets. Everyone knows my secrets thanks to Haydn. I feel the tears pressing against my eyes. Shawn folds himself into the seat next to me, keeping a respectable distance between us. In the past I might have been offended, but now I appreciate the gesture--most guys have no respect for my personal boundaries anymore.

His voice is soft when he speaks again. "My license got suspended."

I frown out the window; the thread of the conversation lost with my thoughts.

"That's my excuse. For taking the bus. I got a DUI." He hangs his head. "I know, stupid."

I'm probably supposed to say something, but my tongue sticks to the roof of my mouth when I try to speak. I watch his ghostly reflection in the glass for some clue as to how I should respond, but he's staring into the distance. No, he's staring at someone.

The girl from earlier--the one that barreled through me with her piggy squeal--is heading our way. Her hair's pulled into a high ponytail, exposing her cleavage spilling out of her too-tiny top. Has she even heard of the dress code?

"Hey, Shawn," she coos, "there's any empty seat by us now."

I roll my eyes. She couldn't be any more obvious if she'd hit him with a two-by-four.

He glances over his shoulder at her group of eager-looking girlfriends. "Um, maybe later."

Her jaw drops, exposing a mouthful of fillings. Rotten teeth to go with her rotten personality. I stifle a laugh.

"Shawn," she whines.

He turns back to me, catching me staring. For a moment our eyes lock--the intensity stops my heart. Holy crap. He licks his lips, momentarily drawing my attention away from his eyes. Damn my hormones. Maybe he didn't notice. Maybe I'm delusional.

"You like pizza?"

It takes me a moment to realize he's talking to me. "Um-"

"I work over at Antonio's; you know the place by the mall? You should stop in some time. I mean if you get hungry or something. The pizza isn't half bad if you don't mind it greasy." It comes out all in one breath.

I blink.

He wipes his hands on his pants then scratches at his neck. I don't know what he's getting at. Since Haydn I can't be sure of anything when it comes to guys.

"I'm not like that. Like in the video." My voice startles me. Oh god, did I just say that out loud? "I mean-" What did I mean? My face burns, but I'm surprised to see a blush on Shawn's face, too.

"I didn't think-" He swallows hard.

We stare at each other, my heart pounding so loud I'm sure he can hear it. The air between us is on fire--I keep hoping I'll just spontaneously combust or something. Anything would be better than whatever is happening between me and Shawn right now.

He gets a hold of himself first, the edge of his mouth quirking up. He leans across me, so close his breath tickles my face. I gasp.

"This is my stop." He pulls the stop cord above our heads. I nod dumbly. There's something about Shawn that switches off my brain. By the smirk on his face, he probably knows it, too.

He stands and slings his bag over his shoulder as other kids shuffle past. "I guess I'll see you later. Don't forget--Antonio's if you get hungry. I know a guy that can get you a free slice."

He's gone before I can respond, not that my tongue would have allowed it. He beams that dimpled smile at me as he passes my window. I'm melting--they'll have to mop me up off the floor. I didn't think any guy would ever have that effect on me again. I keep the image of his smile in my mind, and for a moment, I forget all the stares and whispers.



An hour later I'm still reeling from the whole experience. What did it all mean? What was Shawn playing at? Before Haydn, I would have attributed the entire thing to politeness. But this is after Haydn. There's no way Shawn hasn't seen the video. I doubt there's anyone in the galaxy that hasn't seen that video. The one of my face in Haydn's lap, leaving nothing to the imagination. The one I didn't know he was making. The one he uploaded to the internet moments before he wrapped his car around a light pole.

I choke back the tears, the heels of my hands pressing my eyes until colors pop in my vision. Sometimes I wonder who I'm crying for--Haydn or my lost reputation. Does that make me a bad person? Probably.

Shawn's face invades my thoughts--the honey eyes and the dimples and the kissable lips. Kissable? Twenty minutes in my life, and he's turned it upside down. I can't stop thinking about his smile or how it makes me want to grin until my face hurts. I'm so confused. Guys like Shawn just don't go for girls like me. I'm all out of proportion--small boobs, wide hips, belly rolls. All the wrong curves, in all the wrong places. Haydn went for it, though. And look where that got him.

Still, Shawn asked me to come by for pizza. Even if he was just being nice, it's more than most people have offered in a long time. I have to admit, I'm more than a little curious. What's the worst that could happen if I show up? I humiliate myself in front of one of the hottest guys in school. Like I could get any lower than I already am. So what do I have to lose? Besides the last shreds of my pride? I can't decide if I'm talking myself into it or out of it.

I should go. I'm hungry and pizza sounds good. Yes, that's the only reason I'm grabbing the keys to my mom's Subaru and heading for the garage with barely a glance at the surprised look on her face. I haven't driven since the accident, and my hands shake when I start the car. It takes a couple minutes before I get the courage to leave the driveway. I do the speed limit all the way there, stop completely at every sign, and force myself to breathe. I make it to the mall in one piece. My legs are apparently made of Jell-o when I get out of the car, but for the first time in months I feel strong--like maybe I can get past Haydn. Like I'm not just the "slut" in that damn video.

The inside of Antonio's is dark; booths line the walls with square tables in the center of the room. The hostess seats me near the kitchen. It's noisy and smells like garlic. I pick up the sticky, laminated menu with still trembling hands. I don't think I can eat. I second guess my decision to come here. God, what if he hadn't really meant it? What if he was just doing that thing where you offer something without really meaning it because it's the polite thing to do? Maybe I should just go before I look like an even bigger idiot.

Of course that's when the server decides to appear next to my table, blocking my escape.

"Hey," Shawn says. "I hoped you would show up."

"Really?" I hate the way my voice cracks--the sound of desperate hope.

He smiles. "Sure. After having to deal with the bus and jerks like Cameron every day, you looked like you could use a free slice of pizza."

Oh. So he was just being nice. Why am I so disappointed? Nice is good. It's more than I've gotten in months. I force a grin onto my face. "I like free."

There's that smirk again--like he knows I'm putty in his hands. "So, what kind of pizza do you like?"

Would ordering the vegetarian make me look more health conscious? Or would it make me look like I'm trying to be trendy? I don't even like vegetarian pizza. "Pepperoni?"

"You're not sure?" he asks with a chuckle. The raised eyebrow just adds to the effect.

I feel like an idiot. I nod, eyes on the table. He taps his order pad on my head then disappears. I couldn't be any more of a spaz if I tried. I drop my head to the table and cover it with my arms. I'm not sure how much time passes before Shawn returns. He sets a steaming pizza on the table along with two drinks then slides in across from me.

"Break time," he tells me with a grin.

Why do I have to turn to mush whenever he looks at me? I muster the courage that spurred me into the driver's seat. "I guess I'm lucky I showed up when I did then." My voice stays amazingly steady.

"I, um-" He takes a sip of his Coke. "Actually I held off on my break. I was really hoping you'd show up."

"You waited for me?" I squeak.

The look of surprise on his face confuses me even more.

"Well, yeah. Why else would I invite you?"

Shock keeps me from speaking. Or doing much of anything else.

He scratches at his neck, a blush creeping up his face. "I guess I was more subtle than I thought," he mumbles. His eyes dart around, not settling on any one thing for more than a few seconds.

"Uh, um-" I don't know what to say.

"Look, if you don't... I mean, if you'd rather just be friends. I don't want you to feel pressured or anything." He's lost all the confidence in his voice and when he smiles the dimples don't reach his eyes. He turns his attention to his slice of pizza.

"I'm not like in the video." I shouldn't have to keep clarifying this. I wish Haydn had never happened.

He finally looks at me again. "I didn't think you were. I didn't even watch that stupid video. I-" He licks his lips. "I've seen the way the other guys treat you. Like Cameron. You don't deserve that, no matter what you did in that video or otherwise."

I glance away so he can't see the tears in my eyes.

His reaches across the table, his fingers brushing against mine. "To be honest, I've been trying to come up with a reason to talk to you for weeks now. I could have kissed Cameron when he started messing with you."

He's got to be joking.

His eyes soften as he leans forward, invading my space just a little. "Don't look so shocked. There are still good guys out there, Erin. Don't let Haydn Pierce color your world forever."

I suck in a short breath at the intensity in his gaze. He brushes a strand of hair behind my ear. My pulse roars in my head, drowning out all other sounds. All thoughts. He leaves his hand on my cheek, skin sizzling at the point of contact. This is happening.

"In case I'm not being clear enough again, this is me saying I like you. And not because of the video. I plan to prove it to you, if you'll let me." He catches my gaze--his eyes dark amber in this light. "What do you say?"

What do I say? Do I really want Haydn running my life from beyond the grave? Keeping me from trusting anyone ever again?

"No."

It's only when I see Shawn's shocked face that I realize I said the word out loud. "Not you! I didn't mean you. I just-" I shake my head. "I'm pretty screwed up; you probably don't want to get involved in the mess that is my life."

His face relaxes. "How 'bout you let me worry about how much mess I can deal with?"

I bite back a smile. "Okay." We stay that way, staring. For how long, I couldn't tell you. It feels like seconds, minutes, days. Time means nothing to me anymore.

"So?" he finally asks.

So. So, this is when I take back my life. I close the distance between us and brush my lips against his. He jerks his head back in surprise. I like that I caught him off guard, but to make sure there's no confusion I kiss him again. This time he reacts, hands coming up to cradle my face, as he kisses me back.

"When do you get your license back?" I mumble through the kiss.

I feel him smile against my lips. "Hopefully never. I'm fine with taking the bus."

I cut off any more talk with another kiss. I'll tell him about my car some other time.

The End.




Although this assignment is finished, feel free to tell me all the places I fucked it up. Really.
jennickels: (a: can't talk)
I got my grade for the 2nd draft of my story. The teacher had great things to say which basically came down to this story is great how it is so she said I should try to think of another "layer" to add to it. I'm not sure what to do. She made some suggestions, one being that her mom has cancer or something, but that seems so corny. It doesn't fit with the theme of the story so that's out.

Patrick suggested that maybe her mom or something was in a car accident since there's a line where the girl says she doesn't drive because she's afraid. That might actually work, but to fit in that stuff I'd have to take something out because there's a hard 10 page limit and the story is 9 1/2 pages at the moment. I already cut a ton, and I'm not sure what else can go. I also need to rewrite the beginning a little based on some suggestions from my group.

It felt really good, though, when I read that the story is "functioning at a high level." Part of me was wondering what I would do with it after the last revision, because I worked on the plot as well as characters (we were supposed to focus on characters) and have it to a level where I think the revisions are mostly cosmetic (word choice and stuff). The draft is due Sunday night, so I'm going to spend tomorrow thinking about it.
jennickels: (sg1: jack_grammar errors)
I'm reading a story someone wrote for my fiction class. The character is a model and on the catwalk with all the lights and cameras going off. Then she notices some guy up in one of the boxes or something. This is not the first time I've read something like this over the last week or two. A few of the books I've read were about kids performing on stage and looking out into the audience and recognizing people, even details.

Apparently these authors have never been on a stage.

With the lights blazing down on you, it's pretty much impossible to see into the audience. If you can, they're a blur of dark figures. You might be able to make out a few people in the closer rows if the glare doesn't blind you, but there is no way you can see who is in a box seat way up high in the back. Sorry, not gonna happen. Hell, you can barely see what's happening on the stage from the box seats. You sure aren't going to notice the actors' eyes, etc.

These leads into another pet peeve--noticing the color and details of people's eyes from across the room. Um... no. As an experiment I looked at Nora's eyes from five feet away. I could not tell what color they were and she has some very bright blue eyes. And that was just a few feet, never mind an entire room away.

One of the other women in my class did this in her first draft--noticing a girl's strange green eyes from across a busy hall while the other girl was brooding (face all scrunched up). Huh?

It's a phenomenon I've seen in just about every YA novel I've read. I'm probably guilty of it myself. Actually I know I was. I was revising my first draft so that the main character meets the boy from across a crowded sidewalk instead of right next to her in a bus. At first I had her describing his eyes. Then I stopped and was like WTF? how could she know that from fifteen feet away? I moved the eye description to when he's actually standing by her in the bus talking.

These characters must have super-human eyesight or something.
jennickels: (kids: meagan_nerds rule)
I was kind of having a crappy morning. Nothing happened, I just can't seem to wake up. I feel like I took a sleeping pill, but I didn't. I just want to go back to bed and I already slept until like 11am. Blah.

Anyway, I forced myself to get online to do homework. I checked my grades and my fiction workshop teacher had my grade up for the critiques we did  in week 2.

All the critiques I got back from my group were real simple, just mentioning a few typos or passive voice or commenting on things they liked. Last week I started worrying that I went overboard with my critiques and that she'd yell at me for not doing them right.

[livejournal.com profile] n3m3sis42 can attest for the thoroughness of my constructive criticism. Well I got my grade and a note with it saying "This is some of the best constructive critique that I've seen in an ENG 329 Class! YAY! Can I use parts as a sample for the class?"

I just sat there blinking.

I mean, I was really worried. I almost cried the other night while I was revising my own story thinking my critiques were horrible. I was planning on not doing the same thing this week because I felt so bad. Then I get this compliment and was blown away.

It's been a weird morning.

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